Tag Archives: writing tools

Rhodia notepad – my best analogue capture device

Sometimes the best things come to us in life entirely by mistake. That’s exactly what happened to me with the Rhodia no 12 pad and it has turned out to be one of the most useful analogue tools I use.

Unlike my digital task management systems (which are separate for work and personal), this can be used for everything. A story or character idea? Check. A task I need to complete for a client? Check. Topping up the coolant levels in my car? Check. I just write the thought down, tear off the sheet and throw it in my inbox to be processed at a more convenient time.

A frequent thought right now

I didn’t realise how small this was when I brought it. I’d heard people talk about how fountain pen friendly the paper used by Rhodia was and saw it at a reasonable price. Thanks to the one click simplicity of the internet, I’d paid for it and it was being delivered before I really looked any further. Initially I was disappointed, but at 85 by 120mm, it sat unobtrusively on my desk and was always at hand when a rogue thought popped into my head.

As part of the Getting Things Done methodology, David Allen talks about the benefits of writing down a single thought on a full size sheet of paper. Despite the recycling options now available, that feels wasteful to me. Post it notes don’t work out either, because although they are a similar, more convenient size, they stick to everything else in your inbox and inevitably get lost on the back of a letter that you filed.

The tear off perforations on the pad are sturdy but easy to rip. I’ve never had a sheet come loose, but nor have I ever had a ragged half-piece of paper where it got stuck and wouldn’t cleanly come free.

I never have to worry about what writing implement is already in my hand when the bolt of lightning strikes either. I’ve had a felt tip, a gel pen, a pencil and a nice juicy stub-nibbed fountain pen and none of them have bled through to the sheet below or smeared. When it comes to getting ideas out of your head so you can get back to what you’re meant to be doing, silly frictions like having to swap to a ballpoint will stop you from writing it down at all. I’m super lazy like that and, if you’re being honest, I bet you are too.

It’s even small enough to hide behind a Field Notes

So, for the perfect little desk or pocket notepad, it ticks all the boxes. I usually try to do a pros and cons list when I write about physical tools, but for this little buddy I can’t think of any cons. And with such high quality for such a low cost, it’s worth giving a go, no matter how high or low tech your system is.

Evolution of the bullet journal

Evolution is, perhaps, the wrong way to describe it. The phenomenon that is the bullet journal method is slowly coming full circle, leading us all right back to where it started.

As I’ve discussed before, I was a relatively early adopter of the system. I know I was using it at a job that ended in December 2013. Given that Ryder Carrol launched the Bullet Journal website in August 2013, I must’ve been one of the first people climbing aboard that waggon. Plus, it led me to the Pen Addict podcast, which allowed me to rekindle my love affair with all things analogue.

Above all, I found it because it was a productivity tool. A system to better manage my To Do list. Although I’d been using a digital task manager for my personal life and a GTD style spreadsheet for my work tasks, when the proverbial hit the fan, I always grabbed a pen and made a paper list. Five years later, things are still the same. A handwritten list allows me to focus on what is truly important, rather than scrolling through lists of next actions throughout the day and wearing myself down with decision fatigue.

Then, at some point, bullet journaling and Instagram collided. The emphasis on actual productivity became muddied. Yes, there were things to do on people’s lists, but no growth once things got under control. People who had come to the system because they needed to manage their overwhelm had everything in one place at last, but the twins of effectiveness and efficiency were nowhere to be seen. This is, of course, a gross simplification and uses broad brush strokes, but when your productivity system becomes an art portfolio with token tasks, then it’s missing the point (unless you’re an actual artist). Underneath the bujo hashtag is a mind-blowing array of beautiful images.

No one’s bujo looked like mine. Four things to do each day and space for a beautiful sketch? You’re living the dream then. A day with only four things for me to do is a lazy weekend day. And with it the bitter, mostly envious thought of well if you spent less time drawing perfect layouts, you’d actually get more done. This is not necessarily true, but the images of weekly spreads across the various social media sites made it difficult for anyone new who didn’t want that element to feel like they could do it. It can be demoralising as much as it can be inspiring.

Not to mention that all those pretty accounts led to a wrongly perceived gendering of ‘how’ to bullet journal. I couldn’t imagine someone going into a boardroom meeting with all those pastel shades and flowers and being taken seriously. The culture we live in would, sadly, make one of two assumptions. Firstly, if it was a man, he would be mocked endlessly for his girliness. If it was a women, then she clearly isn’t as focused and capable as a man. I’m not saying it’s right, but it’s the world we live in until we make progress in making it better.

Yet the system is perfect for that environment. Writing by hand removes the perception that you’re secretly checking your email, which happens when you take notes on a laptop. A well-organised and maintained system allows you to easily flip through to previous meetings and related collections. Your actions and waiting fors are captured quickly so nothing gets lost. The act of capturing the notes themselves stops you from zoning out when that powerpoint presentation hits slide twenty.

So the bullet journal is at a point of reckoning. Ryder is an astute businessman and creative, so was prepared for this moment already. His book, The Bullet Journal Method, takes it gently back to where it began – a productivity tool. The emphasis is what made it attractive in the first place: it’s not about getting more in your system, it’s about focus on what matters.

So, the bullet journal breaks down to this:

  • As long as your notebook is something you want to engage with, it doesn’t need to be a work of art
  • A notebook that comes with an Index and numbered pages does half the work for you
  • You don’t need to do everything – keep the parts of the system that work for you
  • You can use a bullet journal in conjunction with digital tools – it’s not sacrilege to use an online calendar
  • The bullet journal is a methodology that plays well with others – you don’t have to abandon GTD or personal Kanban to use it
  • You don’t need an expensive notebook and pen (although I prefer them)
  • It doesn’t have to be a specific, larger size format that you see most often depicted – I apply the same principles to my pocket notebooks

MD Diary Notebook pros and cons

2018 was a busy, complex year. In 2019 I’m going simple.  As simple as possible whilst still being effective. So when searching for a paper planner, that was my main focus. After a wide range of searches, I settled on the MD Diary Notebook and now we’re a few weeks in, it’s serving me well.

Why simple?

In 2018, my morning routine was too much to handle. Becoming a new mom meant I needed less if I wanted to get any real work done, but instead I somehow started to hold onto the morning routine as being work in itself. In short, I used it for procrastination, whilst still checking boxes and feeling good about myself. When doing my yearly review it was abundantly clear how little work actually got done. This year, my goal is to simplify everything in order to focus on what matters.

To give you an idea of how much I need to simplify things, here is a list of all the paper based products I used last year as part of my ‘routine’.

  • A one line a day memory book
  • A Leuchturrm weekly planner
  • Trigg Life Mapper
  • Midori Travelers Notebook and inserts (x3)
  • Pocket notebooks, e.g. Field Notes (x5)
  • A5 notebooks for journaling (x8)
  • A5 notebooks for creative projects (x1)

It’s no great surprise that traveling this year was nothing short of impossible unless I only wanted paper in my hand luggage. For this year, my goal is to stick with the following:

  • A one line a day memory book
  • MD Diary Notebook
  • Pocket notebooks for ideas on the go
  • A5 notebooks for creative ideas

That’s a serious cut and I still want to keep the elements that work. Journaling has kept me sane after countless sleepless nights and full time work days, so I don’t want to let it go completely.

So why choose the MD Diary Notebook?

Firstly, the majority of the book is lined pages, with slightly darker lines splitting the page into quarters. It allows me the free form elements to control the pieces of my practice, but the structure allows me to limit it to a single page per day. That in itself reduces the procrastination time. I’m not artistic enough for a fancy BuJo, but as Ryder Carroll himself pointed out in his recent post, it’s not about prettiness and social media likes, it’s about serving a purpose.

This gives me the pages I need without requiring me to brush up on my calligraphy, or having to draw out calendar pages. If you do like artistic and pretty, then the lined format is much less likely to work for you.

I use the first quarter to write down three things I’m grateful for, a positive affirmation and my main goal for the day. That then leaves me the remainder of a page to do a brain dump and get any nagging thoughts or events I want to remember in the future off my mind.

Monthly Calendar View

The MD diary allows me to combine my planning and routine together so that when I travel, everything is in one place. Each month has a square for each day, with a wide right-hand margin and further space at the bottom of the page.

Admittedly I have to keep my writing small and neat to make this work. Many would argue that it doesn’t leave much space for a whole month’s worth of planning, but again this forces constraint. Is it really going to get done this month or is it more of a wish-list item? I use a digital app as my actual task management system because I’m very granular (a typical GTD-er) so don’t need that space for long lists.

The Year View

The year view is also compact. Perhaps a little too compact for most people.

Again there is space down the side for important notes, but I’m guessing this section will work with different coloured highlighters and a key to what they actually mean in the margin.

Of course, form factor isn’t everything. There still needs to be sufficient quality and that is something I’ve always found to be the case with any Midori product. The paper works well with every fountain pen I’ve thrown at it, including a 1.5 stub nib with reasonably wet ink. Due to the space restrictions, the majority of users are likely to be writing with a medium nib at most, so I don’t see this being a problem.

General planner-procrastination observations

Last year I spent far less time on creative ideas. There were probably fewer A5 notebooks in comparison to previous years, but the ones I did fill were packed with naval gazing more than actual work. Similarly I used a LOT less pocket notebooks. Looking back, that was because I was firefighting for much of the time and my old GTD habit of capturing thoughts and ideas to put into my system began to slide.

So far I can completely recommend my new setup as a way to control the start of your day, but as is the case with these things, the true test is if it is still working for me by the time that second quarter of 2019 rolls around.

Field Notes Still Hanging Around: Black Ice

Just to be clear, this edition has now sold out on the Field Notes website. Where it’s hanging around is on my desk, never getting used as part of my creative writing or planning routine. So I thought it was time to do a Field Notes Black Ice review and work out why.

I was really excited when I first saw the Field Notes Black Ice edition. One of my favourite things about Field Notes is their constant push towards innovation. Not only was this a beautiful looking edition with its shiny cover, it was also a brand-new way of binding the Field Notes.

This edition was found more like the Write notepads. Having tried Write notepads before this edition I was slightly dubious from the start about how this functionality would fit within my life. One of my favourite things about a Field Notes notebook is its ability to lie relatively flat on the desk. This is only a small thing for some people, but I find it very easy when the book is close to ignore the tasks inside. Having the book open on my desk means I am more likely to achieve what I need to do during that day as part of my creative/productive workflows. This, in the end, was one of the biggest downsides for me, along with the line drooling inside. However I did love the orange colour of the lines and thought them a beautiful compliment to the binding.

I know for many people these two features combined won’t really be a problem. But for me this turns a beautiful looking edition into something I really struggle to use in daily life. Normally I can get through a fieldnotes notebook in approximately three weeks. Sometimes, if it is particularly busy I can complete one in two weeks. if things are less busy it can take four to five weeks. However on my first run I used the Black Ice edition for over six weeks now and it was only half full. I simply did not find myself reaching for this edition like I normally do with the Field Notes in my pocket. Instead I began to scribble my notes on pieces of paper and dream about the next release. I also started using other notebooks to record my ideas and small tasks began to get recorded in my paper planner. Eventually it got put into my Dudek Modern Goods pen and paper stand and it has been there ever since.

So why would anyone like this edition? The one thing I can’t deny is that Black Ice looks beautiful. The cover somehow remains shiny metallic looking even after the six weeks of use. The cover also crinkles nicely in the pockets. One of the many reasons people enjoy using Field Notes is how they look once used and have a slightly distressed finish. The use of new binding as opposed to the traditional three staples means that this edition is slightly thicker than usual. This makes it harder to bend and tear when in the bag or in the pocket so along with fewer signs of wear and tear, the pages stay very much intact. Some of the editions of Field Notes immediately prior to this (I’m looking at you Two Rivers) had definite issues when it came to keeping the paper inside the cover. Given how much I enjoyed holding the book open and cracking the spine, I expected this to also be in edition where the pages fell out easily, so was pleasantly surprised when they didn’t.

I often see Black Ice for resale, so it seems I wasn’t the only one that couldn’t make it work for them. Given that I’m in the process of re-shaking up my routine and productivity system again, it was time to clear the desk. Sadly, the half-finished Black Ice will be consigned to the drawer with the completed notebooks.

Maybe one day I’ll want to pull it out again.

The Blackwing 54 – A Writer’s Pencil

Whether you’re more of a fan of digital or analogue, I’m a firm believer that the more attractive a tool is, the more likely you are to use it. When it comes to getting things done, that also means more gets done.

Palomino are known to make beautiful, unique looking pencils that make people willing to step up to the relatively expensive price point. If people are prepared to do that for the standard issue, then they are more than willing to buy into the limited edition concept.

Which leads me to…. the Blackwing Volumes Edition 54: The Exquisite Corpse. A pencil unlike anything they’ve released before and possibly the fastest selling quarterly release ever.

Look

I’ve yet to see any photograph that really does justice to the colour of the 54. That goes for the rose-coloured body and the teal stamping. Truly gorgeous. I’m in two minds about the colour of the eraser ( a fairly standard blue), but as they’re interchangeable then I know that if another colour comes along in the future then it will be easy enough to swap.

Feel

For me – and many others – the real selling point is the core. The Blackwing 54 has the extra firm core that has so far only been made available in limited edition releases. As the Blackwing 24 has been my favourite edition of all time, I’m happy to see a release that has the same innards.

As you would expect from a premium pencil, the graphite just slides over the page regardless of how hard it is, making it an absolute joy to write with.

Point Retention

It is the point retention of the Blackwing 54 that makes it a writer’s pencil. When writing longform pieces, there is nothing worse than having to stop and sharpen your pencil every three minutes. It’s possible to write with the Blackwing 54 for longer than a standard Blackwing 602 (and certainly longer than the affectionately named MMX), but without sacrificing a nice dark line in the process.

Comparison

Although there are three volumes editions with the extra firm core, in my experience they are not actually identical. The 530 was lighter than the 24 (something other people noticed too), which was a bit of a disappointment. In my test below, you can see how they all line up – with the majority standard favourite, the Blackwing 602 – included for comparison.

The overall verdict? I love this pencil. It makes me want to get out my notebook and write for hours. The 24 is still my favourite, but from a writing perspective, the 54 has to come in a close second.

Books for writers: Shadows Beneath (Writing Excuses Anthology) review

With NaNoWriMo only a week away, instead of my usual ‘book for entrepreneurs’ review, I thought I would focus specifically on a book for writers.

Most writers (aspiring and published) have read Stephen King’s On Writing. I love that book, but most of the engaging content is the autobiographical stuff, rather than the writing parts. So I thought I would take a look at a much more hands on, practical book: Shadows Beneath: The Writing Excuses Anthology.

The book was released in 2014 and often gets overlooked as being a short story anthology, rather than a practical guide to writing. It follows the writing process of the four main Writing Excuses hosts from story concept to finished work. Side note, if you’re a writer and haven’t checked out the Writing Excuses Podcast then go there now. It’s one of the best ‘craft’ podcasts out there in a realm of marketing ones.

The first part of the book contains the completed short stories. This means that those who aren’t interested in the writing process can just enjoy reading some quality fiction. For writers, it is the second part that is interesting: the ‘making of’ section.

For each of the stories, we can read a transcript of the Writing Excuses episode where they brainstormed ideas. For people who wonder where ideas come from, this is gold in itself. Then there is the first draft of the story, transcripts of workshopping discussions and intermittent drafts and commentaries from the authors. Finally, there is a version showing all the edits from the first draft to the published edition, full of cuts and additions.

So why read this book?

During NaNoWriMo, the idea is to take an idea and write. Write each day and get 50,000 words down by the end of the month. Editing has no place here. Often at the end, we are left with 50,000 words that need some pretty serious work. Shadows Beneath is a great way to see that even without these crazy time pressures, the first draft is never perfect. It can be hard to imagine that our favourite, successful authors struggle to write a first draft and that it often doesn’t work. It can be hard to believe they reach out to others and say ‘hey, I’m struggling with this and could use some help’. This book will teach lessons in craft and development, but it also shows the spirit of community and encouragement.

Which, when you think about it, has always been at the heart of NaNoWriMo.

You can buy Shadows Beneath: The Writing Excuses Anthology here. If you can, I’d recommend getting the print edition, as it allows you to flip back and forth much easier when following the revision process.

Tools of the trade: Field Notes Campfire Review

As a reminder, I use analogue tools for creative planning (including business strategy, idea generation and note taking). Therefore the items I use have to meet three criteria. They must be:

  • Attractive to use, so they make me want to write
  • Portable, so I can use them at my desk, office or coffee shop
  • Flexible, so they are appropriate in multiple scenarios

So how does the quarterly Field Notes Campfire release shape up against those requirements? Great, actually.

The different cover designs are awesome

Compared to the previous two releases (Utility and Black Ice), this edition feels like a Field Notes book. It has shades of Americana that people expect from a company like Field Notes. It is part of their brand appeal. For me, the two previous editions were innovation over functionality. They reduced the usability of a product that I want to carry with me at all times.

So are they attractive to use? Oh yes. A big tick in the box on that score. The three different covers add variety and they have a beautiful tactile finish on the covers. Nice additional touches include the different shade of grid lines in each book to match the key tones of their respective covers.

Attention to detail with the grid line colours

As for portability, Field Notes always have that covered. Of their 35 quarterly editions, only two have broken away from the pocket book size (Arts and Sciences and Byline). Both were great alternatives, but not as truly portable as the pocket size. Campfire Edition has the portability that we’ve come to expect from Field Notes and fits in all those standard carry cases as well as your back pocket.

Straight into my trusty Nock Co case

Finally, flexibility for use in both personal and business scenarios. Field Notes are never going to be corporate like Moleskine or Leuchtturm1917, but they’re not trying to be. At the same point, neither are they offensive or too gimmicky most of the time. If I had to pull these out in a client meeting, they’re the kind of notebooks that might attract attention, but in good ways. They don’t scream unprofessional.

As for the paper, I haven’t found it to be a problem with fountain pens, as long as I’m not using a big juicy wet nib and ink. There’s very little feathering or bleed through on the page, which means I don’t have to stop and think about the pen I’m using before beginning to write.

Very little bleed through on the page

Overall, I give this one a big thumbs up and can’t wait to see what the next quarterly release is. Fall is subscription renewal time for me, but I have a mountain of pocket notebooks still waiting to be used. It will be interesting to see if Field Notes pull something out of the bag that makes it impossible for me to resist subscribing for another year.

You can buy the Field Notes Campfire Edition here until they’re sold out.

Follow Up: Using A Bullet Journal For Creative Projects

One of the most popular posts on my site is this one about how I use a Bullet Journal. The other, in case you are interested, is the one weighing up the pros and cons of using a Moleskine versus Field Notes, which also has a Bullet Journal influence to it.

Given I started using a Bullet Journal approach when it was a new thing and not the hugely popular and artistic thing it is now (check out the Instagram bujo hashtag if you want to feel inferior about your artistic skills), I thought it would be a good time to do a follow up. Specifically, how to use a Bullet Journal for creative projects.

Firstly, the thing to remember is that the bullet journal methodology is not set in stone. Right from the start, it was a system designed to be modified to meet individual needs. For me, this has resulted in two separate notebooks: one for planning and the other for creative writing projects.

A creative Bullet Journal, by definition, will have different requirements to a notebook containing everything. But why did I separate them? Quite simply, I wanted to have all my book outlines and ideas in one place. When it’s time to pick a project to move onto, this dramatically reduces the number of notebooks I have to work my way through. Because it is specifically for longer outlines, rather than aha! on-the-go snippets, I can stick to an A5 size that is just large enough.

What to remove

Because I’ve got a specific use case in mind, I can ignore any features that relate to the calendar. (Side note, because I’ve stripped out the creative writing projects, I can use an actual diary in a modified Bullet Journal approach that is just as effective. If you want to know more, I’m using a Moleskine Agenda as described here). This means the Future Log and the Monthly Log disappear for me.

What to keep

The Index is the core functionality of the Bullet Journal system that is so simple, yet life changing. This is particularly important in this instance because I want to be able to easily review the contents at a later date. I can’t help but call it Contents though, rather than Index. Sorry!

Underpinning the index is the use of page numbers. This is a feature that makes the Leuchtturm 1917 brand ideal for Bullet Journaling as they are pre-completed. I find manually numbering the pages at the start of a new notebook quite therapeutic, so don’t worry if your notebook of choice doesn’t have them.

 

Because I might plan a story over the course of several weeks and have more than one in development at any given time, when it comes to review I don’t want to keep flicking back to the index to find the related project pieces. Instead I use a simple arrow system when linking larger blocks of related text. It is a simple thing to do before starting, but saves amazing amounts of time when reviewing:

This chapter continues on page 37

This continues from page 17

What about topics, bullets and tasks?

I still use these as a creative feature. There is much more to writing a book than plotting it out. There may be research tasks that need to be completed prior to writing and these can form topics in themselves.

Personal Opinions…

What is the best size for a Bullet Journal?

For creative projects, the A5 size works best. For ‘on the go’ notes and ideas capture, a pocket notebook is best (such as a Field Notes)

What is the best brand for a bullet journal?

Leuchtturm 1917 is the closest fit for the Bullet Journal system. Prebuilt Index and page numbers, as well as a paper quality that works for a wide range of pen types, including fountain pens

What is the best paper format for a bullet journal?

Plain paper allows for the most freedom, but I’m a huge fan of graph or dot grid. The key is that any ruling is subtle enough for it not to be limiting 

You can find the official Bullet Journal site and more information from Ryder here.

Game Changer: Scrivener for iOS

I am actually drafting this blogpost in the waiting room of a mechanic shop while they fit two new tyres. Why? Well, because they needed changing. And because I now have Scrivener for iOS. Yes, finally, there is a Scrivener app. I’m not going to lie; I did a little squee when it was released.

ios-feature-get_writing

I have done all my outlining and drafting in Scrivener for years now. I only use MS Word for final formatting to submit to the rest of the world, who seem to enjoy the sweet misery that it brings.  What writer doesn’t die a little inside when they see that (not responding) banner?

Anyway, my main problem with Scrivener – in fact, my only problem with it – was portability. I am often travelling for work and do not want the additional hassle of taking my MacBook with me. One laptop is enough for anyone. I have, at times, come up with an almost alternative workflow whereby I email myself the next part of the story. Clunky at best. It is also reliant on having written down the details of the next writing point, rather than just flicking to the handy outliner view. feature-corkboard

It also doesn’t take into account that some of the things I write really should not be jotted down onto a work laptop. Ever.

EVER.

So whilst the difficulty was never enough to make me stop using Scrivener, it did hamper my ability to get work done consistently each week. I am a creature of routine. I like to be able to write each weekday morning and if I lose two of those mornings because of a massive commute, my writing productivity gets slashed almost in half.

For the sake of complete transparency, I will confess that I have really struggled with this for two years now, since moving to my current employer. I have questioned many times whether this inability to bring balance to the one area of my life that I love so much could actually be a deal breaker. Perhaps that is a level of honesty that some would label career-limiting, but it is the truth.

Enter Scrivener for iOS. In my daily life, that means I can now write away from home using only the iPad. This is considerably more convenient than having a MacBook with me. It also means at times like this, when I have unexpected time on my hands, I can pick up my phone and do short bursts of bonus work.

It is a game changer. I don’t say that lightly.

So far, I managed to write every day last week, despite being away from home at 6am two out of the five mornings. This week is turning out much the same. After some really simple setup, I tested the sync option with caution. I’ve tested software that syncs across devices before and if it is not implemented correctly, it is nothing short of a nightmare.

Not a single issue. Mind blown.

The functionality was my next test. Apps seldom have the full functionality of a desktop product. Yet everything I need is here. Despite bemoaning the fact it hasn’t existed for years, I am really happy that Literature and Latte apparently took the time because they were getting it right. I’ve yet to encounter a single feature where I’ve been frustrated because my mobile experience does not reflect the desktop one. That is a fantastic place to be in.

A very unusual place to be in.

16200851-scrivener_ios-main_shot

I frequently mix with other writers, both aspiring and best-selling. It doesn’t matter who they are or what level of experience, I’ve never hesitated in recommending Scrivener as my writing tool of choice. Especially if they are a planner rather than a pantser, there is nothing better for collating all your research material into a single place.

So, now my tyres are changed and I am going to wrap this up. I’m sure I’ll do some minor edits on my main machine before posting, but the bulk of it has been completed on my phone with ease.

So thank you Scrivener, for changing the way I can integrate the dream of writing into the much more harsh reality of a daily life, with its travel and to do lists and not enough hours.

 

images courtesy of Literature & Latte

Making Notes: Emerald of Chivor

It’s no secret that I find any creative project starts out best when I put good old fashioned pen to paper. The majority of my first drafts are then created in Scrivener, but I’ve never found that plotting and discovering characters really comes alive if they’re not discovered on paper first.

Most people have creative slumps. I know authors, actual real life get paid to write books for a living people, who have found themselves with writer’s block. There are so many ways of getting out of it, but one of the things that works best for me is to find a really engaging tool that makes me want to write something – anything – down. That can be pen, paper or ink. As long as it’s decidedly analogue, I’ll give in to the temptation to try it.

So without further ado, my latest inspirational find: J Herbin Emerald of Chivor:

IMG_9368

 

This ink has taken the pen world by storm and from the moment I saw the samples coming out, I could see why. That sheen! That colour! The hints of red were more intriguing than the flecks of gold. All better than I can capture on an iPhone, but I refuse to buy a better camera for the sake of doing blogposts. Anywho, I needed to go back to an old project and work out some knots that were bogging the whole thing down. So, with a trusty NockCo DotDash black pocket book (I’ll definitely be telling you more about those at some point in the future) and a TWSBI Eco 1.1 Stub (again, a pen worth knowing about), I started to tease apart the strands of my story to work out where it was going so spectacularly wrong:

IMG_9372

This is where having such a fascinating tool to play with comes into play. I was so distracted by wanting to put words down, to try and create the different flow using the stub nib, that I worked out what was annoying me the most without even thinking about it. I was too busy thinking about how there were differences when you shook the pen up a little first, how the red wasn’t as strong in my sample as I’d seen in some others and not about the fact that it was a point of view issue I was having.

IMG_9376

 

So, for me, it’s a big thumbs up for Emerald of Chivor. I want to use this so much, I’ve already decided that tomorrow it will be part of my morning pages routine. I think that J Herbin have got this one right (being the fourth in the series of inks using this gold flecking), and so far I haven’t had any issues with it clogging my pens. That being said, I think it definitely needs to be used with at least a broad nib if you want to get full enjoyment out of it.

Feel like kicking your creativity old school? Then this might not be the cheapest place to start, but it gets a huge thumbs up from me.

Emeraldofchivor